{"product_id":"seen-issue-010","title":"Seen Issue 010","description":"\u003cp data-sourcepos=\"9:3-9:55\"\u003e\u003cem\u003eSeen\u003c\/em\u003e is a leading publication that celebrates the film, art, and visual culture. Published twice a year in print and monthly online, Seen is dedicated to showcasing writing that explores the diverse voices and experiences of communities from around the world.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlackStar Film's 15th year of programming and Seen's 10th issue thematically grounds this issue in reflection and remembering. Nehad Khader writes about some of the festival's most unforgettable screenings, Arthurt Jafa speaks with Róisín Tapponi on his return to cinema, directing his first feature at 65, his kinship with Jean-Michel Basquiat, and his artistic roots in Daughters of the Dust. 30 years since The Watermelon Woman, Cheryl Dune looks back at her directorial choices and considers how the film, made with little money and time has become queer canon and a touchstone for Black lesbians and studs. Elsewhere the genre defying Bochura, a semi-autobiographical animated film about a Morocon coyote filmmaker is profiled. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eDimensions: 20x25cm | 127 pages\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Blackstar","offers":[{"title":"Default Title","offer_id":54537783705918,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1222\/0932\/files\/ScreenShot2026-10-01at10.46.01AM.png?v=1790865970","url":"https:\/\/www.shopyowie.com\/products\/seen-issue-010","provider":"Yowie","version":"1.0","type":"link"}